I — Sun & palm
Your reference, reduced: one sun low over one wave, one palm, nothing else.
Identity
The sun-and-palm idea, drawn with far fewer lines so it reads at any size and holds up in one colour.
Your reference, reduced: one sun low over one wave, one palm, nothing else.
Two level lines at different heights — the winter sea and the summer sea — with one sun between them.
A single wave on one side, a single frond on the other, drawn as few times as possible.
The same sun twice: high in one half, low in the other. The two seasons in one mark.
Your mark above the name set in three lines, the way your reference holds it.
Thin single-line geometry, one terracotta point, the name in classic capitals — five ways to draw it.
A circle split in two, one point for each island, above the name in classic capitals.
The same circle opened by a level line — a sun sitting low over the water.
Two thin circles touching, a single terracotta point where they meet.
The split moved off centre, so the two halves are unequal — two seasons of different length.
A wave drawn through the circle, the sun held above it.
Kept for comparison, so you can see what you are not choosing.
Interlaced D and S inside a double oval, with the name in flowing italics. Couture feel.
A sun setting over a gentle wave, with the name in fine, airy lettering.
Pure lettering stacked like a magazine masthead, with a single terracotta dot.